Why would one of hip-hop's most legendary lyricists recruit another
MC to write him an album full of rhymes? According to Public
Enemy's Chuck D, it's an experiment he's been wanting to try for
some time, finally realized on Rebirth of a Nation, due
March 7th.
The album features veteran Bay Area rapper, producer and
activist Paris, who not only created the music but also wrote "98
percent" of Chuck's verses. "I was gonna have somebody do it one
time, and he happened to be the one," says Chuck, who adds that he
hadn't seriously considered any other collaborators. "I told Paris
that he would have to come more than halfway to make this happen.
There was a diligence he had that was very thorough."
However, Chuck considers the album -- billed as "Public Enemy
featuring Paris" -- "a special project," separate from the rest of
the group's catalog. "I look at this album as a work [un]to
itself," he says. "I don't mix it with anything else that I
do."
The collaboration began in 2002, when Paris contributed a song
to Public Enemy's Revolverlution album, and Chuck says
their work on Rebirth of a Nation went smoothly. "There
were things where I would say, 'I'm not really agreeing with that
line,' and he would just redo it and come right back," he says. "He
worked me through the inflections. It was a lot of meticulous
work."
Rebirth, to be released on Paris' own Guerilla Funk
label, deals with militantly leftist themes that will be familiar
to Public Enemy fans. The opening cut, "Raw Shit," features guest
vocalist MC Ren of West Coast gangsta-rap pioneers N.W.A., and
addresses a litany of issues -- from Iraq to American poverty and
racism. On the cut, which quotes from the 1988 Public Enemy classic
"Black Steel in the Hour of Chaos," Chuck sneers, "Don't tell me
that the war is won."
Public Enemy's Minister of Information, Professor Griff, appears
on the rock-influenced title track, while Flavor Flav is featured
throughout. "Flav's recordings are what they always have been since
the Eighties," Chuck says of Flav, whose appearances on reality
shows like VH1's Strange Love stirred up more controversy
for the group last year. "Flav has a day of recording, and then his
vocals are dispersed around," says Chuck. "So it's not like he's
sitting in the studio, waiting for an ad-lib. He has the easiest
job, really, of anybody."
Rebirth was originally slated for release last August,
but was delayed, Chuck says, when retailers and distributors
objected to carrying two Public Enemy albums within months of one
another. The other disc, New Whirl Odor, hit stores late
last year through Chuck's Slam Jamz imprint. (Chuck D removed
Public Enemy from its longtime home at Def Jam several years ago
after a dispute over free downloads.) "This is not 1967," he says,
"where you have cats put out an album and another one four months
later."
That said, the next Chuck D-penned Public Enemy album, How
You Sell Soul to a Soulless People Who've Sold Their Soul,
featuring production from longtime friend and Bomb Squad member
Gary G-Wiz, will hit next spring.
"New Whirl Odor had to come out first, and then here
comes a curveball," Chuck says. "And next comes How You Sell
Soul. So it's, like, fastball, curveball, fastball."